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THE DISABILITY DISCRIMINATION ACT PART III
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The Disability Discrimination Act 1995 (DDA) is a wide-ranging piece of legislation designed to eliminate discrimination against those with disabilities. Part III will affect new and existing buildings, as it requires the avoidance of any physical barriers that may prevent disabled users from accessing goods and services. The programme clarifies the requirements of the Act, and identifies key areas for designers to consider in achieving good accessibility. The programme looks at the inclusive approach taken by the designers of the new Scottish Parliament Building in Edinburgh. We hear from Margaret Hickish (Buro Happold) and John Kinsley (RMJM).
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18 mins.
English version
HISTORY OF ARCHITECTURE AND DESIGN 1890-1939 (A305)
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This series combines an important survey of the major developments in the first half of the twentieth century with close scrutiny of some of the most interesting and controversial work by the Modern Movement, enabling the student to understand the relationship between architecture and design in its historical context. Programmes 01, 02, 07, 08, 11, 17, 19, 20 and 21 are in black and white.
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1. WHAT IS ARCHITECTURE? AN ARCHITECT AT WORK (A305/01V)
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Geoffrey Baker uses the house he designed for himself, near Newcastle upon Tyne, to explain some of the practical constraints an architect faces in the design of any building and to suggest the role-played by aesthetic considerations.
µÛ¦W«Ø¿v³]p®vªN¥±¨½¨©§J¹B¥Î¥Lªº±M·~¼f¬üÆ[ÂI³]p¦Û¤v¦b¯Ã¥d¯Àªº¦í©Ò¡C¸`¥Ø¤ºªN¥±¨½¸ÑÄÀ¤@¨Ç¦b³]p¹Lµ{¤¤¬ü¾Ç»P«Ø¿v¤W¹ê»Úªº§xÃø¡C쪩^¤åµoµ¡C
24 mins.
English version
2. THE UNIVERSAL INTERNATIONAL EXHIBITION, PARIS 1900 (A305/02V)
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Tim Benton looks at some of the architecture and interior design of this mammoth turn-of-the-century celebration and shows that, far from being dominated by Art Nouveau, the Exhibition¡¦s most marked features were eclectic and nationalist.
°O¿ý¤@¤E¡³¡³¦~¦b¤Ú¾¤Á|¦æªº¥@¬öÀô²y°ê»Ú®iÄý·|¡CArt Nouveau ¥H¬y½u«¬¬°¯S¼xªº¸Ë¹¢·®æªì²{¾W¨~¡A§ó¹ï©¹«á¤Q¤E¥@¬ö«Ø¿vÃÀ³N¼vÅT²`»·¡A¬O¡u·sÃÀ³N¡v¬ü³N¬£©l¯ª¡C쪩^¤åµoµ¡C
24 mins.
English version
3. CHARLES RENNIE MACKINTOSH: HILL HOUSE (A305/03V)
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Sandra Millikin takes a close look at Hill House, built in 1903 at Helensburgh near Glasgow for the publisher Walter Blackie. Besides indicating how the design responded to the needs of the particular client, Sandra Millikin also suggests the ways in which the design was related to traditional Scottish forms and to Mackintosh¡¦s other work. This programme was filmed in Scotland.
Ĭ®æÄõµÛ¦W³]p®v³Áª÷¶ð§Æ¦b1903¦~³]p¤F¤sªÙ¡A³o¬O¥L¦b°ê¤º³Ì¤j¤]¬O³Ì²Óªº«Ø¿vª«¡C³Áª÷¶ð§Æ²`´Ó©óĬ®æÄõ¶Ç²Îªº³]põ¾Ç¡A¹B¥ÎªÅ¶¡·§©À¡AÆF¥©¼ô½mªº§Q¥Î¦ÛµM©M¤H¤u·Ó©ú¡C¦b¥Lªº«Ø¿v²M·¡¦a¥Ü½d±Ä¦æ¶Ç²ÎĬ®æÄõªº¼Ë¦¡¯à²Å¦X·í¥N»Ýn¡C쪩^¤åµoµ¡C
24 mins.
English version
4. INDUSTRIAL ARCHITECTURE: AEG AND FAGUS FACTORIES (A305/04V)
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Tim Benton shows the similarities and differences between Behrens and Gropius through looking at their work in these two German factories built just before the First World War. He also traces the continuity of classical architectural ideas via their common interest in the work of K.F. Schinkel. This programme was filmed in West Germany.
¤¶²Ð¨â®y¦b²Ä¤@¦¸¥@¬É¤j¾Ô«e¡A¤À§O¥ÑAEG´õ½ü¤u¼t«ü©wªº«Ø¿v®vPeter Brehrens¤ÎFagus»s¾c¤u¼t©e°U³]p®vWalter Gropius¡A¿³«Øªº¤u¼t¡A±´°Q¡u¥j¨åÃÀ³N·N§Ó¡vªºÃÀ³NÆ[ÂI¡C쪩^¤åµoµ¡C
24 mins.
English version
5. FRANK LLOYD WRIGHT: THE ROBIE HOUSE (A305/05V)
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Sandra Millikin shows the evolution of Frank Lloyd Wright ¡¥prairie house¡¦ type, culminating in the Robie House built in Chicago in 1908; she demonstrates Wright’s masterly organization of space and his concern with materials. This programme was filmed in Chicago.
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24 mins.
English version
6. R.M. SCHINDLER: THE LOVELL BEACH HOUSE (A305/06V)
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Rudolf Schindler and Richard Neutra were both Austrian-born and both emigrated to the USA and worked as assistants to Frank Lloyd Wright. In examining Schindler¡¦s Lovell Beach House at Newport Beach, California, Sandra Millikin shows that Schindler¡¦s style of the mid-1920s, with its daring use of concrete and glass, is closer to the emergent International Style than to that of Wright, and that Neutra¡¦s work - as exemplified by the Health House built for the same client - evolved in a similar direction. This programme was filmed in the USA.
´¿¬OµÜ¯Sªº§U¤â¾|¹D¤ÒªY¼w°Ç¡A¨â¦ì¦P¨ü¥j¨å¥D¸q§@«~¼vÅT¡A¦ý§@«~¦³³\¦h®t²§¡A¾|¹D¤Ò¦b´X¦óµ²ºc§ÎºA¥H¤Ï¦V¾Þ§@¡C¥»¸`¥Ø¤¶²Ð¨ä«Ø¿vª«Lovell Beach Houseªº«Ø¿v§ÎºA¾Ç¡C쪩^¤åµoµ¡C
24 mins.
English version
7. ERIC MENDELSOHN: THE EINSTEIN TOWER (A305/07V)
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Dennis Sharp traces the genesis of the design for this key expressionist building in Mendelsohn¡¦s letters and sketches from the Front during the First World War. He points to some of the daunting technical problems that had to be overcome in the execution of the design.
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8. THE BAUHAUS AT WEIMAR, 1919-23 (A305/08V)
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Tim Benton talks with George Adams, who was a student at the Weimar Bauhaus. Topics discussed include student attitudes during this period and the influence of prevailing trends in avant-garde art. Some rare artefacts made at the Bauhaus in the early 1920s are displayed and studied in the studio.
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24 mins.
English version
9. BERLIN SIEDLUNGEN (A305/08V)
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Tim Benton traces the development of the Siedlungen (housing estates) built in Berlin during the 1920s through the work of Taut, Scharoun, Gropius, Haring and Bartning. He shows that, despite the large scale of these projects, the garden city ideal was never far away. Filmed in Berlin.
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24 mins.
English version
10. THE WEISSENHOF SIEDLUNG, STUTTGART, 1927 (A305/10V)
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The Weissenhof Siedlung built in Stuttgart in 1927 was intended as a ¡¥manifesto¡¦ demonstration of Modern Movement architects¡¦ abilities in the field of housing. In looking at work by Behrens, Gropius, Mies van der Rohe, Oud and le Corbusier, Tim Benton assesses how far the work matches up to the architects¡¦ ideals.
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24 mins.
English version
11. THE INTERNATIONAL EXHIBITION OF ARTS, PARIS, 1925 (A305/11V)
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Using contemporary photographs, Tim Benton looks at a range of exhibits, showing the French emphasis on craftsmanship and exotic materials and considering in what ways the architecture of the French and international pavilions could be said to reflect avant-garde tendencies.
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24 mins.
English version
12. ADOLF LOOS (A305/12V)
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Tim Benton looks at a number of buildings in Vienna designed by Adolf Loos (including the Goldmann and Salatsch store, Knize¡¦s, the Scheu house and the Moller house), to illustrate Loos¡¦ characteristic handling of space and concern with craftsmanship and materials. This programme was filmed in Vienna.
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24 mins.
English version
13. LE CORBUSIER: VILLA SAVOYE (A305/13V)
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Le Corbusier¡¦s Villa Savoye, built at Poissy near Paris from 1929-31, is one of the most impressive monuments of the International Style. In a detailed analysis of the building Tim Benton relates the Villa Savoye to ideas expressed in Le Corbusier¡¦s writings of the 1920s. This programme was filmed in France.
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24 mins.
English version
14. ENGLISH FLATS OF THE THIRTIES (A305/14V). THE WEISSENHOF SIEDLUNG, STUTTGART, 1927 (A305/10V)
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Tim Benton looks at two very different developments to illustrate the differences and the common denominators in the design of flats in the 1930s. The huge municipal Quarry Hill estate in Leeds, designed by R.A.H. Livett, is compared with High Point One, an apartment block for upper-income tenants, in Highgate, London, designed by Berthold Lubetkin.
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24 mins.
English version
15. ENGLISH HOUSES OF THE THIRTIES (A305/15V)
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Dr Geoffrey Baker looks at three houses designed by one of the leading modernist partnerships in England in the thirties: Connell, Ward and Lucas. The houses are High and Over at Amersham, New Farm at Haslemere, and Moor Park, Rickmansworth. Dr Baker talks to Amyas Connell about the formative influences on his work at the time he designed High and Over.
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22 mins.
English version
16. HANS SCHAROUN (A305/16V)
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Hans Scharoun is best known for his Expressionist designs in the years following the First World War, for his housing at Siemensstadt and Breslau in the late 1920s, and for his work after the Second World War. Less well known is his work of the 1930s; unlike some of his contemporaries, Scharoun remained in Germany and continued to practise as an architect, albeit in a restricted capacity. In this programme, Tim Benton considers two of Scharoun¡¦s domestic designs of this decade: the Mohrmann house and the Scharf house in Berlin. Filmed in Berlin.
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24 mins.
English version
17. ENGLISH FURNITURE (A305/17V)
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Jessica Rutherford, Keeper of Applied Arts at Brighton Museum, discusses examples of French and British furniture of the 1920s in the Brighton collection, showing some of the ways in which French design influenced British design in the years following the 1925 Paris Exhibition of Modern Decorative and Industrial Arts.
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24 mins.
English version
18. EDWIN LUTYENS: DEANERY GARDENS (A305/18V)
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In looking at Deanery Gardens, Sonning (1899), Dr. Geoffrey Baker notes Lutyens¡¦empirical approach to planning and discerns a supremely English character in Lutyens¡¦ work.
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23 mins.
English version
19. THE LONDON UNDERGROUND (A305/19V)
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Dr Geoffrey Baker visits three stations designed by Charles Holden for the London Underground¡¦s Piccadilly Line (Cockfosters, Oakwood and Southgate). He sees them as structures perfectly fitted for their function and at the same time as fitting symbols for the Underground in the 1930s - a futuristic, highly efficient form of transport.
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23 mins.
English version
20. 'Moderne' and 'Modernistic' (A305/20V)
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If British architecture of the 1930s boasted relatively few real International Style buildings, ¡¥Moderne¡¦ or ¡¥Modernistic¡¦ buildings were to be found in high streets, seaside resorts, and strung along arterial roads all over the country. Here, Geoffrey Baker considers some of the ingredients of the ¡¥Moderne¡¦ idiom, with examples drawn mainly from commercial architecture (including Wallis Gilbert and partners¡¦ Firestone and Hoover factories) and seaside architecture (Joseph Emberton¡¦s Blackpool Pleasure Beach buildings and Oliver Hill¡¦s housing at Frinton-on-Sea).
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24 mins.
English version
21. THE OTHER TRADITION (A305/21V)
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Dr Geoffrey Baker examines the persistence of academic classicism in British architecture of the 1920s and 1930s, exemplified in such buildings as Manchester City Library and Liverpool Cathedral. Focusing on the new headquarters of the Royal Institute of British Architects, built during the 1930s, he shows how conservative traditions were modified by modernist tastes.
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24 mins.
English version
22. THE WORLD OF THE SUBURB (A305/23V)
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Stephen Bayley examines some of the characteristic design features of the world of the suburb, contrasting an Edwardian terrace house in Ilford with a semi-detached house, also in Ilford, of the 1920s.
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24 mins.
English version
23. THE HOUSING QUESTION (A305/24V)
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Stephen Bayley suggests some of the long-term consequences for housing of the architectural changes introduced in the period 1890-1939.
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24 mins.
English version
HOUSES TO GO
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The term ¡¥prefabrication¡¦ still conjures up images of cheap and nasty cabins, only appropriate for construction site accommodation. The modern reality is that improvements in time, cost and quality can be achieved through off-site prefabrication, of elements of buildings, or indeed whole buildings. This programme shows how the use of off-site fabrication techniques can be used to construct modern and appealing residential units. It features the production line at the Yorkon factory, looks in more detail at one recently completed project, Sixth Avenue in York, and includes an interview with one of the architectural pioneers of modular housing, James Pickard of Cartwright Pickard.
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18 mins.
English version
LONDON OPEN HOUSE
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This programme looks at three private buildings in Southwark: a 19th century paint factory converted into home and work units; the shell space of a Bermondsey warehouse cleverly articulated into a house and gallery; and a former potato warehouse converted into a modern family home.
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28 mins.
English version
ROCK AND STONE
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The use of natural stone as an external landscape material is finding increased favour. However, the range of stone available is enormous, and this programme aims to outline some key aspects when specifying stone for external landscaping use, looking at three different fuctionalities: Vehicular traffic; Pedestrian traffic; and Purely decorative.
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16 mins.
English version
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